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Edited Excerpts From a Smithsonian Seminar Series

Part 1: The Arts

Office of Interdisciplinary Studies, Smithsonian Institution

Judith K. Zilczer

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Jan Stuart

Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution

Charles E. Guggenheim

Guggenheim Productions

In the first of three excerpts from seminars on collaborative knowledge generation in the arts, the sciences, and the humanities, two art curators and a filmmaker discuss the meaning of collaboration in their fields. Judith K. Ztlczer explores how 20th-century artists and art curators collaborate in creating new aesthetic expressions. Jan Stuart explains that, in Chinese painting, additions to a scroll by calligraphers or other painters is considered artistic collaboration with the original artist. Charles E. Guggenheim argues that filmmaking follows a different model, in which a single strong visionary identifies and enlists the talents of others in "a collaboration of compromise."

Science Communication, Vol. 13, No. 2, 193-215 (1991)
DOI: 10.1177/107554709101300205


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